Alix Roederer
Que restera-t-il de moi après la purification? / exposed in Tokyo
2017
Performance, video, photo, intaglio on japanese paper
I believe identities are (at least partly) constructed in response to impacts with others, conforming to or opposing different societal dictates. In late capitalism, the implications of being a woman and, irremediably, a worker, are substantial.
And so I ask this intimate question, what would be left of me after the purification?
Exposed in Tokyo Digital photographs of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Exposed in Tokyo Digital photographs of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Exposed in Tokyo Digital photographs of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Exposed in Tokyo Digital photographs of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Purification of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Purification of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Purification of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017
Purification of photopolymer intaglio monotypes printed on mulberry paper (68x20) - 2017